I love abstract images and photos, particularly those that allow the viewer to see different images and shapes every time they are viewed. For me they also have to contain lots of detail and layers giving an illusion of depth.
One subject that makes great abstract art is ice, especially if there is a dominant color or tone through it. Given the right color and the right light the ice can be made to look metallic or like liquid metal or mercury.
Removing all color and only using black and white also produces excellent images that enhance the liquid metal effect even more. It's also possible to produce images that almost have an 'H.R. Geiger' quality to them.
Ultimately these type of images are best viewed at large sizes so that the detail can really be appreciated. Framing A2 size images and hanging them in a living room or lounge will really add impact to a place and also provides an interesting talking point!
Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts
Wednesday, 27 May 2009
Tuesday, 5 May 2009
Water droplets part II
Last time I talked about shooting natural water droplets on rainy days when the weather is not to your liking for landscape photography, and with this weekend being another wet and windy one I decided to take the topic indoors and do some experimentation with man made ones!
I know some people think this subject is somewhat cliched but I love it! Each image is unique in its own way and there are countless variations that can be tried for some amazing effects.
Rather than go for the usual clear water into a clear pool I wanted to try and get a CG or computer rendered effect with bright bold colors, so for the shoot I used natural blue and red food dye.
Capturing the water droplets is not as hard as you may think. I know that some posts on this say that you need to be prepared to take a couple of hundred shots but I found this not to be the case if you setup carefully. The most important things are using an external flash ( I use the Canon Speedlite 430), preferably off camera to control the direction of light, a reflector of some kind to stop under exposure and a macro or telephoto lens to allow you to fill the frame but stay a safe distance from water splashes.
After some experimentation I found the following setup works very well:
External flash - set this to manual mode and set the output to 1/32 or lower. This doesn't affect the amount of light from the flash but rather the flash duration and allows you to freeze the drops in motion.
Reflector - Use a reflector or white card placed opposite the flash. I found that not doing this resulted in vastly under exposed images.
Camera - set this to manual mode and a shutter speed of 180. this isn't too important as with these kind of shots the flash duration is now your effective shutter speed. For focusing, place a ruler where the drops will fall. Frame and focus on this.
Once everything is setup it is just a matter of releasing water drops and firing off shots at different times, before and after hitting the water.
Once you have your shots why not try black and white conversions like the shot above. More images are available in the Macro images gallery on the website.
If you want to see some really amazing liquid sculptures and get some inspiration check out Martin Waugh's site at http://www.liquidsculpture.com/.
Have fun!
I know some people think this subject is somewhat cliched but I love it! Each image is unique in its own way and there are countless variations that can be tried for some amazing effects.
Rather than go for the usual clear water into a clear pool I wanted to try and get a CG or computer rendered effect with bright bold colors, so for the shoot I used natural blue and red food dye.
Capturing the water droplets is not as hard as you may think. I know that some posts on this say that you need to be prepared to take a couple of hundred shots but I found this not to be the case if you setup carefully. The most important things are using an external flash ( I use the Canon Speedlite 430), preferably off camera to control the direction of light, a reflector of some kind to stop under exposure and a macro or telephoto lens to allow you to fill the frame but stay a safe distance from water splashes.
After some experimentation I found the following setup works very well:
External flash - set this to manual mode and set the output to 1/32 or lower. This doesn't affect the amount of light from the flash but rather the flash duration and allows you to freeze the drops in motion.
Reflector - Use a reflector or white card placed opposite the flash. I found that not doing this resulted in vastly under exposed images.
Camera - set this to manual mode and a shutter speed of 180. this isn't too important as with these kind of shots the flash duration is now your effective shutter speed. For focusing, place a ruler where the drops will fall. Frame and focus on this.
Once everything is setup it is just a matter of releasing water drops and firing off shots at different times, before and after hitting the water.
Once you have your shots why not try black and white conversions like the shot above. More images are available in the Macro images gallery on the website.
If you want to see some really amazing liquid sculptures and get some inspiration check out Martin Waugh's site at http://www.liquidsculpture.com/.
Have fun!
Monday, 27 April 2009
Rainy days and water droplets
I'm not one of these people that only takes photographs on sunny days and never goes out when it's overcast or raining. Every type of weather offers different photographic opportunities and if you don't take them your really missing out!
I was planning to go back up to the Mourne mountains this weekend to an area around the 'Hares gap' that i haven't explored before, but the weather forecast was not good for the type of landscape images I was after (it was pouring with rain) so I decided to use the the rain to my advantage and grab some water droplet shots from my garden.
It's not often the conditions are favorable for these type of shots as often the rain is accompanied by wind, which can make it near impossible to get a macro shot due to your chosen subject swaying about! What you can do however is manually focus and sway 'in time' with the subject and rattle off a few high speed shots. you might get lucky!
The best way though is to shoot between showers and set the camera up on a tripod. Using the tripod will slow you down enough to compose the image properly without rushing it. You can then also use the 'live view' feature (if available) to ensure your focus is spot on.
try and get something of interest in the reflection of the chosen water droplet. It can be anything from another plant or tree to a landscape. Just ensure that whatever is reflected is in sharp focus.
Bye for now.
I was planning to go back up to the Mourne mountains this weekend to an area around the 'Hares gap' that i haven't explored before, but the weather forecast was not good for the type of landscape images I was after (it was pouring with rain) so I decided to use the the rain to my advantage and grab some water droplet shots from my garden.
It's not often the conditions are favorable for these type of shots as often the rain is accompanied by wind, which can make it near impossible to get a macro shot due to your chosen subject swaying about! What you can do however is manually focus and sway 'in time' with the subject and rattle off a few high speed shots. you might get lucky!
The best way though is to shoot between showers and set the camera up on a tripod. Using the tripod will slow you down enough to compose the image properly without rushing it. You can then also use the 'live view' feature (if available) to ensure your focus is spot on.
try and get something of interest in the reflection of the chosen water droplet. It can be anything from another plant or tree to a landscape. Just ensure that whatever is reflected is in sharp focus.
Bye for now.
Tuesday, 14 April 2009
The Mourne mountains revisited
This weekend I took myself off to the Mourne mountains again. It is such a photogenic place and is only around an hour's drive from where I live it's hard to resist, especially when the weather looks so promising.
I truly love this place, it has beauty in a very dramatic and desolate sense. In some parts it almost feels like and looks prehistoric, and it is very easy to forget that civilization surrounds it and is only just around the corner.
The brandy pad is a route I have never taken before. This starts at the foot of Slieve Meelmore and leads up past the hare's gap and up past Slieve Bearnagh. The track was created by smugglers and their heavily laden ponies as they transported illegal goods such as tobacco, spirits and leather inland from the east coast in the 18th and 19 centuries. It was so popular by 1835 that almost half the houses in Hilltown were pubs!
Once at the top of the path you climb over the Mourne wall and are then faced with the most amazing plateau that contains Doan and Slievelamagan. The view the stretches all the way down through and past the silent valley reservior to the sea. This is perfect for panoramic shots.
This area is very popular with hikers and climbers so if you don't want them in your images then you may need to be patient to get a clear uninterrupted view.
I will be returning here again in the near future as I didn't have the time (or the energy!) to explore the hares gap.
All the images are in the Kingdom of Mourne gallery.
Bye for now.
I truly love this place, it has beauty in a very dramatic and desolate sense. In some parts it almost feels like and looks prehistoric, and it is very easy to forget that civilization surrounds it and is only just around the corner.
The brandy pad is a route I have never taken before. This starts at the foot of Slieve Meelmore and leads up past the hare's gap and up past Slieve Bearnagh. The track was created by smugglers and their heavily laden ponies as they transported illegal goods such as tobacco, spirits and leather inland from the east coast in the 18th and 19 centuries. It was so popular by 1835 that almost half the houses in Hilltown were pubs!
Once at the top of the path you climb over the Mourne wall and are then faced with the most amazing plateau that contains Doan and Slievelamagan. The view the stretches all the way down through and past the silent valley reservior to the sea. This is perfect for panoramic shots.
This area is very popular with hikers and climbers so if you don't want them in your images then you may need to be patient to get a clear uninterrupted view.
I will be returning here again in the near future as I didn't have the time (or the energy!) to explore the hares gap.
All the images are in the Kingdom of Mourne gallery.
Bye for now.
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